I still experimented with being loose and identifying certain shapes, to get results in these drawings. This allowed me to work faster and more confidently, in the chronological order that was desired. It made the layers of wash more potent and effective, in determining values for each composition. I was pleased with the overall results of this set. It was a more relaxing period to work continuously until coming to a conclusion of ending the series. I did not feel the need to end it just yet. This series, like the lynching drawings, was very educational for me as an individual. I learned a tremendous amount of information, regarding commitment, unity, style, narrative, composition, techniques and self awareness. Body Machine # 81                           Body Machine # 82                           Body Machine # 83         ...

I drew with a more loose direction of line, during the creation of these pieces. There was a period when I searched online for images of black bodybuilders. Since my childhood, there was always this fascination with muscular men. We are introduced to them through cartoons and comics. The superheroes are usually dressed in revealing costumes, that seem to even eroticize their bodies. The muscularly large bodies are no less visible in art history. The exaggerated or emphasis on size is often used as a symbolism of masculinity, power and great strength. All of this can excite a gay boy discovering his own sexuality and fantasies. It does not have to be bodybuilders either. It can be seen in the athletes position during sports and media platforms. Stocky men can display this same appeal, it does not have to be a chiseled appearance. I draw other sizes to contrast with such body types to emphasize the beauty of appreciating variety. The evidence of someone's body being different from yo...